York Book Fair – See You There.

The York Book Fair is nearly upon us and eager anticipation is everywhere on the rise.  With over 200 booksellers  (including several from overseas) York is easily the largest antiquarian book fair in Europe.  Many bibliophiles will be travelling long distances to be there when the doors open at noon on Friday the 15th.  And I, as usual will, be among them.
This year, however, I will be accompanied by Alasdair North, our CTO and the digital magician behind the viaLibri curtain.

Once inside, we will both be looking for books – I to resell (mostly), Al to collect.   But we will both also be there with feedback about viaLibri at the top of our want lists. If anyone has questions about any of the things we do then we will be more than happy to take a break and try to answer them.  That includes questions about building a new website or having links to your existing website included in our search results.

If you would like to have one of us drop by your stand during the fair just let me know.  If you don’t have a stand we can meet with you in one of the cafés.  If you like to plan ahead you can send a quick email to: mail@vialibri.net.   If you want to get in touch just before or during the Fair then you can call me on my mobile:  +44 7814 266 372.  Either way we will be happy to hear from you.

viaLibri now searches Shopify and WooCommerce websites.

Over the last several years much of our energy has been focused on trying to find new and better ways to connect viaLibri directly with the websites of individual booksellers.  Our ultimate goal is to provide a place where all the world’s diverse antiquarian bookselling websites can be searched as one from a single online form. Today we are happy to announce another bit of progress towards that goal: we are now able to search websites built using either Shopify or WordPress/wooCommerce.

The popularity of these two platforms with booksellers has been apparent to us for a while now.  Shopify has been especially attractive to that brave cohort of sellers who are at home with digital technology and unintimidated by the idea of building a website on their own.  It is easy to use and remarkably affordable. There are lots of attractive templates available and a strong support community offers advice not just on technical issues but also on useful topics like marketing and analytics.

And now, if you own a Shopify site, viaLibri is ready to search it.  A few tweaks are all that it needs.

We have also been long time fans of WordPress as a platform for building attractive and flexible bookselling sites.  It is now the tool of choice for many commercial website developers. We know many booksellers who have gone this route and been very pleased the results.  Until recently, the one big challenge for these sites was finding a reliable ecommerce plugin with a full-featured shopping cart and the ability to handle credit card sales.  The wooCommerce plugin now fills that bill and many dealers are putting it to use.  Those that do now have one additional benefit: installing wooCommerce allows viaLibri to search their site.

Either option provides an excellent way to get your website connected to viaLibri and Libribot.  Once you have been set up the rest will happen automatically, without any additional effort on your part.  Whatever is for sale on your website will also be for sale through viaLibri with a link directly to you.  The monthly fee is only $25 ($250/year) including up to 10,000 books and all the other standard benefits of a Premium Services subscription. There is no set-up fee and you can cancel at any time with a full refund for whatever period remains on your subscription.

Get in touch with us for more information

Of course, there are still other ways to have us search your website. Most custom-built sites can be easily modified to allow harvesting.  For this purpose we have created a special protocol and will be happy to supply the details and answer any questions about installation. It is also possible that your existing site has already been designed to allow viaLibri harvesting, in which case all we need is your access information.

But if you do not yet have your own website perhaps now is the time to take the plunge. We will be happy to build, manage and host your new website whenever you are ready.  If you would like to learn more about our LibriDirect websites you can start here:

Websites by viaLibri

Whatever option you might choose is fine with us.  We just hope you will join us someday soon, one way or another.

 

 

 

 

Follow Us Now On Instagram

We are now posting regularly to Instagram. You will find us there as Insta_glyph@vialibri. The main focus of our postings will be photos of unusual or graphically interesting early books and related items that have been found by visitors searching on our site. We hope to do this daily, and if we fail to keep that pace it will not be due to a lack of suitable material.

If you are not yet familiar with Instagram you may want to try visiting it now. There is already a large and active group of bibliophiles from around the world sharing interesting images there. The community of rare book librarians on Instagram is particularly active and eager to pull from their vaults many treasures that would otherwise be rarely seen. @americanantiquarian is a particular favourite of ours, but they are just one of many. The number of booksellers with interesting feeds is also impressive, although we must resist having favourites there.

viaLibri now also has a new feature created specifically for the benefit of our Instagram followers. You can now go to www.vialibri.net/instagram and find a graphic grid showing all the photos we have recently posted, with the most recent ones at the top. These photos are all linked to individual pages where the complete descriptions of the pictured items are given exactly as provided by the bookseller who offered them for sale. There is even a link for purchasing the item if it has not already been sold. A link to our photo grid is also included as part of our Instagram profile, or “bio,” page so that detailed bibliographic descriptions can be found only three clicks away from your feed.

Of course, you can also check out our most recent postings just by going to the page mentioned above. That would save you from ever having to actually go to the Instagram site itself; but then you would be missing out on all the fun.

Rare Books London.

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Early June has long been an important spot on the calendars of bibliophiles around the world. The original source of interest came from the fact that it always marked a unique concentration of opportunities to buy and sell books during a busy schedule of London book fairs and auctions. Those events alone were enough to lead a diverse flock of booksellers, collectors and other bibliophiles to converge annually on London, like swallows to Capistrano.

Recent years, however, have seen a greatly expanded scope and duration for what has now become known as Rare Books London. An impressive cohort of libraries and other bibliophilic groups have now joined their bookselling friends to organise an 18 day “fesitval of old and rare books” running from May 24 to June 10. In addition to the well-known book fairs and auctions, their schedule of events now includes 18 talks, 10 tours, and a special performance based on the writings of Samuel Johnson. More events will likely be added as the dates approach.

Information about everything that will be happening can be found on the RARE BOOKS LONDON website. Nearly all the events are free, but for many of them an advance ticket is required and spaces may be limited. It will be smart to reserve your places soon. Links for booking all the activities will be found on the website.

Rare Books London is a great idea and we are happy to be able to support it. If you think so too then you can also help support it and contribute to its success by posting, tweeting, pinning or just plain writing about it anywhere you can. After that I hope I will see you there.

Major Rare Book Theft Reported

A substantial theft of early and rare books has recently been reported by the Antiquarian Booksellers Association.  Over 170 books from three booksellers are missing after an audacious roof-top break-in at a storage depot in suburban London.  The books had been consigned for shipment to the California Book Fair scheduled for next week.

A list of missing books has been posted to the stolen books section of the ILAB website.  Anyone being offered valuable early books under suspicious circumstances should check there before making any purchases.  Contact details are also provided.

A Busy Week For Bibliophiles.

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If you are a wandering bibliophile who will happen to be in New York City at the end of the month you should count yourself fortunate.  Bibliography Week 2017  will be taking place there from January 23 to 28 and a there is a full schedule of events that you should find of interest.  Lectures, exhibits and receptions are all on the list. The event does not appear to have its own website, but a full program of events will be found on the Grolier Club website.

We would love to be there ourselves, but that week we instead find ourselves in Stuttgart instead, where two major and long-lived book fairs will again be taking place.
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It does not sound like it will be aweek for staying home.

Bob Fleck (1947 – 2016)

We learned this morning that our colleague and friend Bob Fleck passed away yesterday.  It is news whose sadness will be felt by a large number of the people that I know. In many ways he stood alone. I am quite sure that there is no one I have met who has made a greater practical contribution to the study of books in all their many aspects.  The world of bibliophiles is greatly in his debt, myself among them.

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Bob was the founder and determined force behind Oak Knoll Books, the world’s most important specialist in the broad subject generally referred to as “books on books.” He served his customers both as an expert in old and rare books and as a publisher and distributor of new ones. The publishing house he built became the first and last resort for bibliographic publications of all sorts.  There are many important titles that would never have reached a printing press without Bob’s backing and help.

There can be few serious bibliophiles or booksellers whose reference shelves do not include numerous books that have passed through Bob’s office or shop in some form or another.

But the contributions to his colleagues were far from limited to the books he sold. He was continuously giving his time to the bookselling organisations he belonged to and supported.  He served both the ABAA and the ILAB with terms as treasurer and president.  It is interesting to note that, even though his speciality was focused almost entirely on items related to the printed book, Bob also oversaw the creation of three ILAB websites. He was instrumental in establishing the first ILAB book search engine and then was later active in helping establish the current metasearch which later replaced it. That was a project we worked on together and which might not have succeeded without his insights and support.

Beyond that, he also gave early and much appreciated help to viaLibri, becoming the first of our users to try advertising on our site.  It was a very characteristic thing for him to do: looking to the future and supporting a colleague.

Bob’s accomplishments and generosity of spirit were appreciated across the full spectrum of bibliophiles, including librarians, scholars, collectors and, of course, his fellow booksellers.  I expect to see a stream of tributes over the next days and weeks.  As they are brought to my attention I will link to them here.  For now, the first tribute appears, appropriately, on the ILAB website he did so much to create and sustain.  You can read it below.

Our thoughts and deepest sympathies are now with Bob’s wife Millie and son Rob.

Bob Fleck – Book of Condolence

COLOUR: The Art and Science of Illuminated Manuscripts

A brilliant exhibition of illuminated manuscripts opened this weekend at the Fitzwilliam Museum. If you have any chance of getting to Cambridge before the end of the year this is something you absolutely should not miss.

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While a focus on the importance of colour in medieval and early renaissance art brings out a visually stunning selection of items to display, the attention paid to the technical aspects of the subject (pigment types, recipes, international pigment trade, painting techniques, modelling, alchemy, etc.) makes this more than just a collection of beautiful artwork, although it is certainly that too.

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Fortunately, if you cannot make it in person you will only be missing out on a portion of what has been done here.  There is, of course, an illustrated printed catalogue (420 pages) which includes general commentary along with extensive catalogue notes on the 150 items placed on display.  At £30 it is a remarkable bargain.

Cutting from a choir book. Historiated initial O. Christ's entry into Jerusalem. Venetian, attributed to Christoforo Cortese Early 15th C Vellum, 23.2 x 17 cm
Cutting from a choir book. Historiated initial O. Christ’s entry into Jerusalem.
Venetian, attributed to Christoforo Cortese
Early 15th C
Vellum, 23.2 x 17 cm

But perhaps even more impressive is the website created in support of the exhibition.  There, reachable by an obscure link near the end of the introduction, is a section of the website entitled “ILLUMINATED: manuscripts in the making.” where high resolution digitised copies of 20 of the manuscripts can be browsed and zoomed.  The quality of these images is exceptional; some of them nearly sparkle on the screen.  They are the first fruits of a manuscript digitisation project which has just been launched and which, together with the exhibition and its catalogue, celebrates the museum’s bicentenary.

Giovan Battista da Udine, The Adoration of the Magi from the Antiphonal of San Marco, Venice, c. 1567-1572
Giovan Battista da Udine, The Adoration of the Magi from the Antiphonal of San Marco, Venice, c. 1567-1572

COLOUR is really a remarkable event.  The Fitzwilliam has “the finest and largest museum collection of illuminated manuscripts in existence” and most of the items exhibited are from its own collection. Much of that collection came to it as part of the bequest of the museum’s founder Richard, VII Viscount Fitzwilliam of Merrion, in 1816. A provision of that bequest requires that the manuscripts cannot leave the museum building. Thus they can only be seen at an exhibition like the one now underway. Many are now on public view for the first time. All of which underlines the importance of this exhibition and the Illuminated project to digitise the Fitzwilliam’s spectacular collection.

Sano di Pietro Missal, Siena, c.1450
Sano di Pietro Missal, Siena, c.1450